Saturday, December 10, 2016

Essential Principles On Darkroom Equipment And Set Up

By Amy Davis


Photography is an art that has been around for so many years. For top quality results the artist, in this case the photographer needs to have the right equipment. Anyone who has embarked on an artistic effort would know that it equipment are expensive. But these people could not care less, after all it is an investment for the betterment of their craft.

Photography with film are probably the most difficult to do, considering the process for developing the photos are quite tasking. Darkroom equipment are quite pricey if you want the best quality. But even for amateurs it can still cost. The best part is the novelty of the whole process and, of course, the experience.

There are many good reasons that film photography has been making a comeback lately. The reason could be preserving the art itself. With the number of digital software and applications, there would be little need to learn how to manually produce certain filters and effects that you want for certain photos.

Being able to make pictures come out beautifully with out digital help is quite the feat. The act alone takes study, practice and discipline. If you can get to experience this more organic way of processing film, then for sure, there will be better appreciation for the the convenience that image software solutions can offer.

Making your own darkroom can be quite the investment. But think about it, the room can be rented out for other enthusiasts too. Being able to successfully develop film negatives in such conditions should bear that satisfaction only artists who have made their Obra Maestra can have. If you are considering making one, be prepared to shell out some cash.

Firstly, the place is called darkroom because there has to be no light, to get in the room when working with the film. Even the smallest sliver and exposure to it can ruin the negative. Just as it would happen, if there are no crevices for the light to come in, good ventilation may then be an issue. There is a work around for this and it works a lot like a chimney.

Four kinds of lighting is needed to setup the perfect darkroom. These would include the safelights, enlarger, white and no lights at all. When you start working with with minimal vision, that is when you would start to appreciate programs such as lightroom. The attention t detail and meticulousness needed for the process can be daunting.

While, in essence the place is supposed to be dark some forms of lighting is still required. The three most commonly used are safelights, enlargers and white lights. The fourth mode is no light at all. Whitelight is obviously for being able to see the final results for the prints and cleaning up after the mess. Trying to clean up without this vision is plainly absurd.

It has already been established that zero lightning makes sure that development comes out perfectly, as you would have pictured it while taking the shot. Enlarger lights are there to make sure that you see every detail in your print. Note that during the whole process, temperature inside should be between 65 and 80 degrees Fahrenheit, else it may also ruin the photo.




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